Week 12

Glossary

deus ex machina ("god from Machine") is a plot device whereby a seemingly unsolvable problem is suddenly and abruptly resolved by the contrived and unexpected intervention of some new event, character, ability or object. A frequently cited example is Euripides' Medea, in which the deus ex machina, a dragon-drawn chariot sent by the sun god, is used to convey his granddaughter Medea, who has just committed murder and infanticide, away from her husband Jason to the safety and civilization of Athens.

Greek Chorus is a homogeneous, non-individualised group of performers in the plays of classical Greece, who comment with a collective voice on the dramatic action. The chorus consisted of between 12 and 50 players, who variously danced, sang or spoke their lines in unison and sometimes wore masks.

the Golden Fleece (ram), In Greek mythology, the Golden Fleece is the fleece of the gold-hair winged ram, which was held in Colchis. The fleece is a symbol of authority and kingship. It figures in the tale of the hero Jason and his band of Argonauts, who set out on a quest for the fleece by order of King Pelias, in order to place Jason rightfully on the throne of Iolcus in Thessaly. Through the help of Medea, they acquire the Golden Fleece.

Argonauts were a band of heroes in Greek mythology, who in the years before the Trojan War, around 1300 BCE, accompanied Jason to Colchis (an important land in Greco-Roman mythology, most notably as the kingdom of Medea and the Golden fleece, destination of the Argonauts) in his quest to find the Golden Fleece. Their name comes from their ship, Argo, named after its builder, Argus. "Argonauts" literally means "Argo sailors". They were sometimes called Minyans, after a prehistoric tribe in the area.

Medea

An ancient Greek tragedy written by Euripides, based upon the myth of Jason and Medea and first produced in 431 BCE. The plot centers on the actions of Medea, a barbarian and the wife of Jason; she finds her position in the Greek world threatened as Jason leaves her for a Greek princess of Corinth. Medea takes vengeance on Jason by killing Jason's new wife as well as her own children with him, after which she escapes to Athens to start a new life.

Considered shocking to his contemporaries, Medea and the suite of plays that it accompanied in the City Dionysia festival came last in the festival that year. Nonetheless the play remained part of the tragedic repertoire, and experienced renewed interest with the emergence of the feminist movement, because of its nuanced and sympathetic portrayal of Medea's struggle to take charge of her own life in a male-dominated world. The play has remained the most frequently performed Greek tragedy through the 20th century.

A picture of the ancient Greek theatre of Dionysus in Athens.